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Archive for January, 2009

090130

painting 090130; oil on wood panel, 16 x 17 cms


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in all things we learn from those we love

How do we learn?

How is quality recognized?


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quiet days/diary painting I

snb12712

painting 090129; oil on wood panel, 16 x 17 cm

I borrow a camera. I clean up among the oil paint tubes. I cover a large canvas with ground paint. While it dries, I make a small painting.

A good day.

“In all things, we learn only from those we love.” J W Goethe

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Bubble foil covering the windows, and a stout electrical heater in the atelier; temperature is climbing slowly. But I still can’t get any connection between camera and computer.

‘Qualitative Research’ may be described as research which is not primarily dealing with quantitative data (such as can be measured and treated stathistically), nor aiming at ‘generalizability’ or ‘objective truth’; it is rather interested in ‘perceived’,  ‘constructed’, or ‘created’ truth – though not necessarily denying the value of  the ‘objective’ or of quantitative methods.

It may be claimed that art in itself is pure qualitative research.

However, in the context of this course (see previous post) with visiting professor Liora Bresler from the University of Illinois, qualitative research is understood through the theory and practise of academic tradition. There seems to be some confusion about the concept Aesthetic-based; whether it refers to the setting – the site or object of observation – or rather if it points to a mode of perception to be cultivated by the partakers.

I believe this initial – opening – confusion is good.

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Quality and Research I

+4°C in the atelier, camera won’t connect to computer… I’ll deal with that later; right now, I am a student attending a course at Stockholm University – Aesthetic-Based Qualitative Research. Oh, These Gorgeous Capitals!

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peace and war

090101-1-fellini 090101-2-fellini

Fellini; graphite pencil on paper, 21 x 15 cms

Went to visit our daughter, working in a dressage stable, over New Year’s Eve. Short hours of daylight followed by cold, clear nights with Venus and the crescent moon over dark meadows. Those noble horses.

And then, bombs over Gaza.

Returning home, 16 degrees below zero, freezing cold in the studio.  And for the people locked up in Gaza: still more bombs, missiles, shooting.

One world.

http://www.avaaz.org/en/gaza_time_for_peace/?cl=164026500&v=2623

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quiet days XII

081231 090101

colour exercises; watercolour on paper, 18 x 25 cms



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